They Went to Portugal Too (1990) (The second part of They Went to Portugal, not published with the 1946 edition because of paper restrictions.) Carcanet Hein, David. "Faith and Doubt in Rose Macaulay's The Towers of Trebizond." Anglican Theological Review 88 (2006): 47–68. Abstract: http://www.anglicantheologicalreview.org/read/article/508/ Martin Ceadel, Semi-Detached Idealists:The British Peace Movement and International Relations, 1854–1945. Oxford University Press, 2000; ISBN 0199241171 (p. 361).

Hibbert, Christopher; Ben Weinreb; John Keay; Julia Keay (2010). The London Encyclopaedia. London: Pan Macmillan. p.402. ISBN 978-0-230-73878-2. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sourcesin this section. Unsourced material may be challenged and removed. ( December 2022) ( Learn how and when to remove this template message) Shaffer, Brian W. (2011). The Encyclopedia of Twentieth-Century Fiction, vol 1. Chichester: Wiley. p.242. ISBN 978-1405192446 . Retrieved 26 December 2022.The poem 'Picnic: July 2017' and comment in the book 'In the Shadow of the Great War, Surrey 1914 - 1922', by Albury History Society" (PDF) . Retrieved 7 November 2023.

A de luxe edition from the Folio Society, of London, with an introduction by Joanna Trollope, appeared in 2005 and is still in print. On the way, they meet magicians, Turkish policemen and juvenile British travel-writers, and observe the BBC and Billy Graham on tour. Aunt Dot proposes to emancipate the women of Turkey by converting them to Anglicanism and popularising the bathing hat, [1] while Laurie has more worldly preoccupations. Historical references (British Christianity since the Dissolution of the Monasteries, nineteenth-century travellers to the Ottoman Empire, the First World War, the Fourth Crusade, St. Paul's third missionary journey, Troy) abound.a b Stanley J. Kunitz and Howard Haycraft, editors; Twentieth Century Authors, A Biographical Dictionary of Modern Literature, (3rd edition). New York, The H. W. Wilson Company, 1950, pp. 865–66.

Martin Ferguson Smith (ed), Dearest Jean: Rose Macaulay’s letters to a cousin (Manchester, Manchester University Press, 2011).Take my camel, dear", said my Aunt Dot, as she climbed down from this animal on her return from High Mass. The story is seen as a spiritual autobiography, reflecting her own changing and conflicting beliefs. Macaulay's novels were partly influenced by Virginia Woolf; she also wrote biographies, travelogues and poetry. Dame Emilie Rose Macaulay, DBE (1 August 1881 – 30 October 1958) was an English writer, most noted for her award-winning novel The Towers of Trebizond, about a small Anglo-Catholic group crossing Turkey by camel. Macaulay began writing her first novel, Abbots Verney (published 1906), after leaving Somerville and while living with her parents at Ty Isaf, near Aberystwyth, in Wales. Later novels include The Lee Shore (1912), Potterism (1920), Dangerous Ages (1921), Told by an Idiot (1923), And No Man's Wit (1940), The World My Wilderness (1950), and The Towers of Trebizond (1956). Her non-fiction work includes They Went to Portugal, Catchwords and Claptrap, a biography of John Milton, and Pleasure of Ruins. Macaulay's fiction was influenced by Virginia Woolf and Anatole France. [2] The book was described in The New York Times: "Fantasy, farce, high comedy, lively travel material, delicious japes at many aspects of the frenzied modern world, and a succession of illuminating thoughts about love, sex, life, organized churches and religion are all tossed together with enchanting results." [2] Editions [ edit ]