Fujifilm XF50-140 mm F2.8 R LM Optical Image Stabiliser, Weather Resistant Lens

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a) This thing is so amazingly sharp at all apertures and focal lengths that it’s not even funny. It’s as sharp at f/2.8 as my 56mm at f/2.8. This is crazy! Nothing less! Everyday photography– While 50mm is a bit tight for a lot of scenarios, I do find it surprisingly flexible. Pair this with something like a prime and a mid-range zoom and you’ve got a super versatile kit. Most creators see these telephoto lenses as being for portrait photography. However, the zoom range on offer (76-213mm with the APS-C crop) and the fast maximum aperture make this lens incredibly versatile. During my review period, I used the lens for portraits, environmental portraits, landscapes, candids, and more. Yes, the lens is one of the heavier offerings from Fujifilm, but you soon get used to the weight and size of the lens. I had no problems with it during a rather lengthy hike. This is where I feel we should really make our decisions on lenses. Sharpness, bokeh, handling, and build on most modern lenses from any reputable manufacturer are good enough for just about every photographer. The big questions are about how you will use it, and more importantly, if you will use it. As a former owner of a Sigma 70-200mm f/2.8 and a Nikkor 70-200mm f/2.8, I can say that “if” is certainly a big question. Let me explain. One final thing of note is the hood. As with most of Fuji’s hoods to date, it is made from plastic. However, it does have one interesting feature. There is a small tab that detaches, allowing you to turn filters like a CPL without actually removing the hood itself. For those who use filters a lot, this could be an excellent addition. Optical Image Stabilization

I’m first and foremost a street photographer. I use primes. I use wide’ish to standard’ish primes. Not long telezooms. I appreciate a small kit, not a big one. But with that being said, I know there are MANY photographic disciplins that simply require a lens such as the 50-140mm. is the equivalent range of 76-213mm on a 35mm/full frame sensor ( every lens mounted on an APS-C camera has the crop factor of the camera applied) This is a professionally-constructed metal-bodied and metal-mounted lens. This is made really clear from the outside by the provision of a tripod collar - which is used to give balance to the camera using a tripod or monopod, but because it rotates also allow you to smoothly switch from landscape to portrait formats. It’s got the key features of a premium lens: constant f2.8 aperture, optical image stabilization (OIS), weather resistance, smooth internal zoom, fast to focus, stunning sharpness and image quality.You'll be able to avoid camera shake and shot handheld with the impressive image stabilisation that this lenses possesses. A high quality gyro sensor and unique algorithm will deliver some of the best image stabilisation on the market. This is all the more impressive in that you can happily shoot handheld at f2.8 aperture - Perfect for low light conditions. What's in the box? The two main contenders for this range: the 50-140 and its (much) less expensive counterpart, the 55-200mm. Fujinon XF 50-140mm f2.8 R WR LM OIS The weight takes a bit of getting used to, but honestly — I’m a pretty small girl and I still yielded the lens without issue. You just need to make sure you hold the lens properly (literally just support the lens with your hand and form a triangle against your body) and you will be fine. It's a solid bar of precision that feels great to use. Zoom and focus are internal, so nothing moves externally. These are the key differences. Further, if you are looking for something that can double as a portrait lens and a wildlife lens, the 50-140mm is probably a safer bet thanks to the f2.8 aperture.

The Fujifilm XF 50-140mm F2.8 R LM OIS WR exhibits virtually no barrell or pincushion distortion, as you can see in the photos below.The 50-140mm range is super flexible, and the fact that you can extend it with a teleconverter just adds to that. The Fujifilm 50-140mm f2.8 lens is an incredibly versatile, weather-resistant telephoto zoom designed for use with Fujifilm's X series of compact system cameras. Its focal length and constant f2.8 aperture across the board makes it perfect for sport, travel, wildlife and night time photography. This lens also comes equipped with the world's first Triple Linear Motor! This motor uses an inner focusing system that maximises portability and ensures a fast, smooth and quiet autofocus. This is a beautiful lens to use and you will not be disappointed. For studio use this lens is quite useful as a very sharp and versatile portrait lens. And until Fujifilm launches the 90mm f/2, it’s the only option for that 90mm (135mm in 35mm eq) focal length that so many loves for portraits. Samples Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. Fujifilm have paid attention to this aspect of lens use, employing a 7-segment diaphragm with rounded blades for pleasing bokeh. In our view, their efforts have been largely successful - see the examples below.